Maren Ade's Toni Erdmann is the film of the year for me, all 166 minutes of it and includes what must be the most moving Powerpoint presentation in cinema history. All the other top films of the year are so good, I can't separate them so I've awarded them all equal second place.
and we round off the year with Happy Haneke, a six-film retrospective of the Austrian auteur.
Films) and Walter Murch for The Conversation (thank you No Direction Home).
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Oxide Ghosts, director Michael Cumming's assemblage of VHS outtakes from the influential, more relevant than ever TV news satire Brass Eye. and Dispossession, a restrained documentary about the housing crisis that's provoked fiercely energetic audience discussions up and down the land, culminating in a panel discussion at Curzon Chelsea with director Paul Sng, author Anna Minton and Jeremy Corbyn MP.Īnd, outside of the rules of this top ten, our wild 35mm repertory programme has included a double bill of David Lynch's Lost Highway and Kenneth Anger's Rabbit's Moon. Q&As with Jane Campion for In the Cut (thank you Misc. Three independent movies from this year deserve a special mention. Bill Morrison's documentary Dawson City: Frozen Time, the socio-political history of a gold rush town, illustrated with film stock recovered from beneath an abandoned ice rink. Thank you to all our distributor pals for making these events happen. Every year is a great year in the Curzon programming team and 2017 has been no exception. We've been blessed over the past 12 months by Q&A appearances from. *name drop alert* Isabelle Huppert, Barry Jenkins, Mohsen Makhmalbaf, Annette Bening, Kenneth Lonergan, Rungano Nyoni, John Waters, Neneh Cherry, Andrew Kötting, Matthew Heineman, Emily Beecham, Shirley Collins, Armando Iannucci, Sophie Fiennes, Ai Wei Wei, Sean Baker, Yorgos Lanthimos, Ian Haydn Smith, Peter Simonischek, Michael Haneke, Toby Jones and more.
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